Review: Bladerunner, The Final Cut
![]() Blade Runner The Final Cut |
I watched Blade Runner, The Director’s Cut for the upteenth time Monday, appreciating the film’s flaws, and speculating on which ones Ridley Scott would clean up with the final, digitally-remastered version.
Of course, all the silliness that made the original theatrical release of Blade Runner a total flop would stay on the cutting room floor. The bad narration and pasted in happy ending wouldn’t sully the film, but what about the other items that dated the movie? The strings visible in one scene… The H.R. Geiger background that doesn’t quite fit… The sound overlays that didn’t quite match… how much of this would Ridley Scott fix?
When you can add “esque” to the end of a film’s title, you know it was a breakthrough in filmmaking. Ridley Scott’s story takes place in San Angeles, San Diego and Los Angeles grown into one another, a bit of futurism considered outlandish in 1982, but today is a reality. Akira, Battle Angel Alita, and Ghost in the Shell all model their worlds on Blade Runner’s cinematic style. The film’s philosophical dilemmas were as old as Frankenstein, but the plot devices used to explore them were novel, later appearing in films like A.I. and I, Robot.
The Final Cut was released yesterday, but nowhere in Elizabeth City would carry it and it’s not on Netflix. One kid working at Blockbuster apologized and couldn’t believe they didn’t get at least one copy.
So I scrambled, found a copy, and just finished watching it. It’s Beautiful!!! The special effects are so much clearer, revealing more detail in the city. The sound effects are so much more detailed, so that we can hear Roy whispering to Sebastian as he comes after him in a haunting scene. This is movie that could have come recently, it’s so relevant and it’s style so dateless.
The plot twist is still there, and is still very easy to miss if you aren’t paying attention. I’ve never actually met anyone who’s caught it, and only know about it myself from an interview with Ridley Scott, where the director actually came out and explained it.
This is a classic groundbreaking film, and deserves to be in everyone’s film collection.
Plot spoiler!!! (If you’ve never seen ANY version of the film)
Pay attention to Deckard’s dream/waking vision of a unicorn running through the forest, and the origami calling card left for him at the film’s end.
Why would that be there?






I had to watch the interview myself as well :) I am getting the HDDVD of this soon.
Comment by Clint — December 19, 2007 @ 11:04 pm
When I first saw the remastered trailer on TV, I thought for sure it was gonna be brought back to the theatre screen! Unfortunately it was just for the DVD release, but still just from the trailers you can really see an improvement with the film picture.
Small correction to your article, Netflix DOES have it! Apparently its in high demand because the wait time is listed as very long. I put it on top of my queue. Hopefully I won’t have to wait too long.
Comment by Sour Swinger — December 20, 2007 @ 7:12 am
Wow! I kept searching for it on Netflix in the weeks leading up to the release, but it never came up. Now it’s there. I’m glad to see it.
There are several hours worth of documentaries about the film that I highly recommend on the second disk. I can’t believe how many cool scenes ended up not making it into the film because of budget constraints.
Comment by ideonexus — December 20, 2007 @ 7:59 pm